As well as being a fantastic source of repertoire, this CD by Matt Cunningham is also a must for dancers of Irish sets. In fact it has been specially designed for those who wish to learn set dancing. Each set is introduced and played to its proper length and tempo. The sets on this album are: The Paris Set, The Connemara Set, The Labasheeda Set, TheSouth Kerry Set.

As well as being a fantastic source of repertoire, this CD by Matt Cunningham is also a must for dancers of Irish sets. In fact it has been specially designed for those who wish to learn set dancing. Each set is introduced and played to its proper length and tempo. The sets on this album are: The Corofin Plain Set, The Military Two Step, The Gay Gordons, The Monaghan Set, The Black Valley Square Jig Set.

As well as being a fantastic source of repertoire, this CD by Matt Cunningham is also a must for dancers of Irish sets. In fact it has been specially designed for those who wish to learn set dancing. Each set is introduced and played to its proper length and tempo. The sets on this album are: The Newport Set, The Melleray Lancers (Co Waterford), The Skibbereen Set, The Three Tunes (Figure Dance), The Newport Set (Beginners Pace), A Waltz Selection.

As well as being a fantastic source of repertoire, this CD by Matt Cunningham is also a must for dancers of Irish sets. In fact it has been specially designed for those who wish to learn set dancing. Each set is introduced and played to its proper length and tempo. The sets on this album are: The South Sligo Lancers, The Valentia Set, The Gillen Set, TheFermanagh Quadrilles, The Glencree Set, The Rosscahill Set.

Band Time is the long awaited sequel to ‘Band Swing’ and is a tune book arranged for folk dance musicians who like playable tunes which work well together. Edited by piano accordion player Pete Mac, this book is an indispensable source for folk dance band musicians who need suitable playable tunes which work well together. Some of the more complicated tunes have alongside them a simpler arrangement for less experienced musicians. Pete is a stalwart of the Camping and Caravan Club Folk Section.

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As well as being a fantastic source of repertoire, this CD by Matt Cunningham is also a must for dancers of Irish sets. In fact it has been specially designed for those who wish to learn set dancing. Each set is introduced and played to its proper length and tempo. The sets on this album are: The Aran Set, The Auban Set, The Clare Lancers, The Derada Set.

As well as being a fantastic source of repertoire, this CD by Matt Cunningham is also a must for dancers of Irish sets. In fact it has been specially designed for those who wish to learn set dancing. Each set is introduced and played to its proper length and tempo. The sets on this album are: The Jenny Ling Jig Set, The Waltz Cotillion, The Orange & Green (Co Clare), The Sliabh gCua Set, The Mazurka Set (Beginners Pace).

As well as being a fantastic source of repertoire, this CD by Matt Cunningham is also a must for dancers of Irish sets. In fact it has been specially designed for those who wish to learn set dancing. Each set is introduced and played to its proper length and tempo. The sets on this album are: The Durrow Threshing Set (Co. Laois), The Fermanagh Set, The Caragh Lake (Jig) Set (Co. Kerry), The Ballycommon Set.

Edited by piano accordion player Pete Mac, this book is an indispensable source for folk dance band musicians who need suitable playable tunes which work well together. Uniquely, some of the more complicated tunes have alongside them a simpler arrangement for less experienced musicians. Pete is a stalwart of the Camping and Caravan Club Folk Section.

The Old Swan Band Tunebook presents a selection of 191 traditional tunes from Britain, Ireland, Mainland Europe, North America and Australia played and recorded by the band over five decades. The tunes are accompanied by interesting footnotes as to there origins. The book is ideal for musicians seeking repertoire for English pub sessions and ceilidh bands.

The Monday night traditional instrumental music session in Durham City has been an institution for many decades now. Here, the standard session repertoire (mostly Irish and Scottish) has been taken many steps further, by a flood of new compositions in the traditional style. This particular session is probably unique for its sheer volume of new tunes which have been composed, and spread far and wide, by regular session members over the years. Several of those Durham composers have tunes featured in this book.